Consider the most effective presentation specific to the materials --both the potentials and the limitations of experience and intention through materials.
While it is valuable to expand opportunities through which to reflect upon human experience it is valuable as well to simplify the materials and processes through which to value experience.
Consider the predominating work with the materials and the discipline --to see, to listen, to think, to coordinate --what combination of these or what facilities in knowing? Is this music or craft or literature or architecture or poem or function or theory --something to regard, something to explore, something to build, some function --or what? If it's visual --is the view essential?
There are reasons for acts of appreciation as well as acts of innovation --to distribute and share as well as to possess or promote --or to define or delineate --to discover, to express, to answer, invent, change --recapitulate, revolutionize, originate. Which of these are specifically human and which are evolutionary in general?
Visual experience is a part of human experience in general through which one experiences time, weight, sound, dynamic, direction, etc. One's development of vision and visual skills may contribute meaning as a whole and in part --shift facet or degree or scheme or the view and a form of interest --lend something to the whole, bring wholeness to experience. . . . Generally, art is considered to bring wholeness to each part and to bring a breadth of understanding or perspective to the meaning of human experience as a whole. This has been looked upon as sacred, profound, immanent, perceptive, definitive . . . .
Conservation Art Materials Encyclopedia Online - (CAMEO, a searchable information resource developed by the Museum of Fine Arts, Boston, MA) . . . . .
Health & Safety in the Arts . . . . .
Internet Resources for Art Hazards . . . . .
Recipes . . . . .
A Supplies Resource . . . . .
Considerations
The Unfinished Print - "When does a work of art achieve aesthetic resolution . . . ? (National Gallery of Art - Washington, DC)
Smart Architectural Surfaces - This project examines the creation of modular computational elements which can be used to build smart rooms, linked meeting rooms, and other sensor- and display-equipped intelligent spaces. These units are intended to tile the walls of a room, and act as a scalable, self-organizing system" . . . .
Technically Assisted Art - "Time and honest sweat . . . . Merely a technician with a good eye . . . . . . only gives you answers?" - (WIRED) "Smart planes -- shape memory textiles -- micromachines -- self-assembling structures -- color-changing paint -- nanosystems --- Sensors, detectors, transducers, actuators, MEMS (micro-electrical mechanical systems), Input / Output, Facade systems, lighting systems, energy systems --- Thermal, Luminous, and Acoustic Environments --- Property-changing, Energy-exchanging, Intelligent Environments --- The vocabulary of the material world has changed dramatically. . . . " - (Addington, Michelle and Daniel Schodek. 'Smart materials and Technologies' for the architecture and design professions. Architectural Press: Oxford and Burlington. 2005.)
Still Life
Display
Exhibition
Demonstration
Product Design
Fashion
Installation
Performance
Theatre
Architecture
Interior Design
Representative Links - Do an online search for materials of interest by media or discipline, including digital and film technologies. Materials research and technology is interesting: Material ConneXion - Focuses on materials in relationship to artists, art projects, and commercial and industrial design
. . . . . . . Materials Research Society - The Materials Gateway. "The Materials Research Society is an organization of materials researchers from academia, industry, and government that promotes communication for the advancement of interdisciplinary materials research to improve the quality of life"
. . . . . . . MatWeb - "The heart of MatWeb is a searchable database of material data sheets, including property information on thermoplastic and thermoset polymers such as ABS, nylon, polycarbonate, polyester, polyethylene and polypropylene; metals such as aluminum, cobalt, copper, lead, magnesium, nickel, steel, superalloys, titanium and zinc alloys; ceramics; plus semiconductors, fibers, and other engineering materials"
. . . . . . . Nature Materials - "Nature Materials (2004 ISI impact factor 13.531) is a monthly multi-disciplinary journal aimed at bringing together cutting-edge research across the entire spectrum of materials science, blending physics, chemistry, biology and engineering into an innovative product"
. . . . . . . American Society for Testing and Materials - "An open forum for the development of high-quality, market-relevant international standards used around the world" . . . . for materials, products, systems, and services." Sign up for Product Updates
Materials & Methods is under construction. Many topics are listed below, including Drawing and Light & Color, and Paper. An extended period of time is required to develop the organization of this subject so that it will be simple to use. Major topics will include References & Texts, Glossaries or Technical Terms, Characteristics, Method, Disciplines, and other considerations. A directory will be provided below through which to search topics alphabetically.
FEATURES: Scientific Research Department - (National Gallery of Art in Washington, DC) - "Research and development of new materials for use in the conservation of works of art, and investigation into the methods and materials of artists."
Sculpture
Forming, Carving, Modeling, Assembling, Attaching, Constructing, Building, Casting . . . .
Substance, Space, Form, Texture, Tone , 3D - Manifesting - The Influence of Structural Pattern and Light
Clay -- Ceramics -- Pottery & Porcelaine
Wood - Cherry, Walnut, Aspen, Maple, Mesquite, Mahogany, Red Cedar, Cypress, Balsam, Beech, Birch, Black Locust, Blackwood, Boxwood, Cashew, Cocobola, Dahoma, Ebony, Elm, Goncalo Alves, Greenheart, Hemlock, Iroko, Mansonia, Mimosa, Myrtle, Oak, Obeche, Oleander, Olivewood, Opepe, Padauk, Pau Ferro, Peroba Rosa, Purpleheart, Quebracho, REdwood, Rosewoods, Satinwood, Sassafras, Sequoia, Snakewood, Spruce, Wenge, Willow, West Red Cedar, Teak, Yew, Zebrawood
Metals
Plastics & Other Synthetic Compositions
Electronics - Web 3D Consortium . . . . . Computer Lab -- (3D Visualization of Print on Demand, Fluid Borders, Virtual Armatures, Rapid Prototyping, VRML: 3D Internat Imaging, etc.)
Multi-media
Painting
(click) -- In View -- Professional Essays
Coloring, Blending, Suggesting, Shaping, Delineating, Forming . . . . Imagining, Picturing
Qualities, Shapes, Depth, Hue - Substance and Illusion
Aqueous [Casein, Guache, Poster Paint - in addition to Watercolor]
Acylics [Acrylic Polymer Tempera]
Synthetic Resin Paints [PVA, Vinyl Polymer Tempera]
Multi-media
Drawing (click)
Considering, Rendering, Directing, Evolving, Defining . . . . Supposing, Describing, Narrating
Movement, Tone, Form, Pattern, Narration - Delineation and Improvisation
String
Wire - [Action Sketching in 3D]
Light
Multi-media
Printing
(click)
Impression, Transfer, Documentation, Repetition, Embellishment . . . . Exchanging, Transferring
Process, Stages, Editions - Traces, Dissemination
Plates - Engraving
Stones - Lithography
Paper - Stencil
Wood - Woodcut
Light-sensitive materials and Film [Still Photography, Moving Picture]
Photography: Processes, Preservation, and Conservation - [Scroll page for more information] - (Metropolitan Museum of Art, NYC)
Glossary of Photographic Terms
Albumen Photographs - [Stanford University]
A Catalogue of Early Equipment - [Museum of the History of Science in Oxford, UK presents the evolution of modern photography]Electronics / Digital Media [including TV, Video]
What is Electronic Ink?
- "These microcapsules are suspended in a liquid "carrier medium" allowing them to be printed using existing screen printing processes onto virtually any surface, including glass, plastic, fabric and even paper. Ultimately electronic ink will permit most any surface to become a display, bringing information out of the confines of traditional devices and into the world around us . . . . "
Multi-media
--
Media (including print and electronics), Collage, Assemblage, Construction, Installation . . . . Coordinating, Recycling, Recapitulating
Assimilation, Appropriation, Collaboration, Participation - Exchange, Reflection
Collage
Fibers, Electronic Ink, Digital Screens, Textiles, Resins, Sheets, Mesh, Foams, Composites, Gels, Laminates, Treatments, . . . . Carbons, Cements, Ceramics, Glass, Metals, Natural, Polymers . . . .
Services & Supplies
Shops
Storage
Safety
Care & Display of Pictures
Framing Packaging Works of Art
Matting
Instructions (Saatchi Gallery)
A B C D E F G H I J K L M N
O P Q R S T U V W X Y Z
Copyright
The contents of this site, including all images and text, are for personal, educational, non-commercial use only. The contents of this site may not be reproduced in any form without proper reference to Text, Author, Publisher, and Date of Publication [and page #s when suitable].