Notebook

Notebook, 1993-

MATERIALS & METHODS

P



Paint / Stability of Consistency - Ready for use

Painting Over Old Work

Painting on Paper - Oils

Painting - Use of Mediums and Vehicle Absorption

Painting Grounds - Commercial - Prepared Gesso Panels, Gesso, Acrylic Primings (Liquitex Gesso or New Temp Gesso)

Painting on Window Glass

Palette and Palette Cups

Palette Boxes

Palette Knives

Panels - The preparation of panels

Pantograph

Paper


Paper Web

Papier Collé - Pasted Paper

Paper-Mâché

Paper, Vellum, Parchment, and Ivory

Papyrus

Parchment

Pastels


Pastel, Charcoal, Plumbago, and Silver-point

Pens

Pen Drawing

Pencil

Permanence of Paper

Pentimento

Permanent Palette - List of colors approved for artists' use

Petroleum

Petroleum Aliphatic Thinners - Boiling Range 90 - 160 C.

Petroleum Aliphatic Thinners - Boiling Range 150 - 200 C.

Photomechanical Reproduction

Pigments



Pinprick Pictures

Pipe Clay

Planographic

Plaster

Plaster Plaques, Reliefs, and Printing

Plaster Plaques or Reliefs - cont.

Plasticene or Plastilene

Plasticity of Clay

Plate Finish in Papers

Plate Tone in Printing

Plexiglas

Plywood

Plumbago

Plumbago, Pastel, Charcoal, and Silver-point

Polyco

Polymer Gesso

Polyvinyl Acetate Emulsion


Polyvinyl Acetate (PVA)

Polyvinyl Acetate [PVA] Gesso

Poppyseed Oil

Porcelain

Poster Colors

Premier Coup - Direct Painting or Alla Prima

Preservatives and Odorants

Price Structure - Purchasing Paint Supplies

Primed Canvas

Primed Paper

Principles in Oil Painting

Printing

Printing - Engraving, Etching, and Related Techniques

Programs in Art Conservation

Protective coating in Painting - Beeswax

Protection of the Picture

Pulp

Puppets

PVA




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