The process of bringing work to completion . . . . Opportunities & Limitations in both Independent Endeavor and Collaborative Endeavor . . . . Commissions . . . . Clients . . . . Staff . . . . Space, Materials & Equipment
A Routine (perhaps daily) . . . . A Schedule (perhaps twice a month) . . . . Priorities and Focus . . . . Auxiliary . . . . Short-term and Long-term
The focus here is on 'Procedures or Methods specific to Independent or Collaborative Works.'
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Developments may in this way proceed through an appreciation of the arts and art works on a very general level . . . . or . . . . through engagement in materials, processes and methods . . . . through work with visual relationships . . . . . through consideration of aesthetic theory and practice . . . . through an interpretation of a specific discipline . . . . through reference to tradition . . . . . through a review of history or attention to cultural norms or through the development of specific topics, events, or issues . . . .
R E F E R E N C E S
Collaborate v.i., -rat-ed, -rat-ing. 1. to work with another or others, esp. as a coauthor. 2. to cooperate, usually willingly, with an enemy nation, esp. with an enemy occupying one's country. [< LL collaborãt(us) (ptp. of collaborãre) = col- COL-1 + labor work + atus -ATE1] -collaborator, n.
[Urdang, Laurence, ed. Random House Dictionary of The English Language. New York: Random House, 1968.]
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