Walberg, Gisela. Tradition and Innovation. Essays in Minoan Art. Mainz am Rhein: Verlag Philipp Von Zabern. 1986.
2. N. Aberg, Bronzezeitliche und früheisenzeitliche Chronologie IV, Stockholm 1933, p. 151.
3. N. Aberg, Bronzezeitliche und früheisenzeitliche Chronologie IV, Stockholm 1933, p. 151.
4. Ibid., p. 135.
5. Kamares, p. 65.
6. R. Carpenter, The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries, 2nd ed. Bloomington 1959, pp. 30-34.
7. Kamares, p. 66.
8. For the effects of the different motifs in combination with different vessel types, see Kamares, pp. 88-89 and Kamares Style, passim.
9. For the development of these Minoan representational motifs, see Kamares, pp. 73-75 and Figs. 51-52 and MP, pp. 133-50 and 257-308 [MP motifs 9, 10A, 11, 12, 14-15, 16, 18, 19, 21 and 22.
10. Cf. the bowl with dancing women from Phasitos and the amphora with a standing man beside a flower motif, also from Phaistos, Kamares, mot. 25 [vi] 2 and 26:1 [Levi, Festůs, Pls. LXVI and LXVIIa.
11. Kamares, p. 55. N. Himmelmann has shown how many Mycenaean and Geometric motifs have a similar plant-like character. See N. Himmelmann-Wildschütz, Über einige gegenständliche Bedeutungsmöglichkeiten des des frühgriechischen Ornaments, Wiesbaden 1968, esp. pp. 290-93 [32-35].
12. P. Warren, Minaon Stone Vases, Cambridge 1969, p. 168 and Kamares, p . 39.
13. Kenna, The Cretan Talismanic Stone, pp. 26-33.
14. Ibid., pp. 28-29. See also Kamares, p. 127 and Provincial MM, p. 67.
15. Kenna, The Cretan Talismanic Stone, p. 29.
16. Ibid., pp. 27 and 30-31.
17. Ibid., p. 31.
18. Ibid., p. 31.
19. Kenna, The Cretan Talismanic Stone, p . 30.
20. PM I, p. 675.
21. A. Onassoglou, "Die Kombinationen der, talismanischen' Siegel", Marburg Symposium II, pp. 117-33.
22. W. Schiering, "Formale Gesichtspunkte zu einigen Motiven auf den sog. Taismanic Stones", Marburg Symposium I, p. 145.
23. P. Yule, Early Cretan Seals, p. 226.
24. P. Warren, Myrtos, p. 134, P 460.
25. Yule, Early Cretan Seals, p. 119.
26. Ibid., pp. 8-20.
27. Schäfer, Principles, p. 91.
28. Kamares, mot. 25 (i)6-9.
29. Cf. Kamares Style, p. 18.
30. Yule, Early Cretan Seals, p. 122.
31. Cf., for instance, Popham, LM Pottery, Pl. 76a, c, f.
32. Cf. ibid., p. 340, Fig. 2:1-2.
33. Ibid., p. 341.
[Walberg, Gisela. Tradition and Innovation. Essays in Minoan Art. Mainz am Rhein: Verlag Philipp Von Zabern. 1986.]
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