Consistency

C O N S I D E R :

Density

Cohering

Congruous

Fixed

Consonant

Inhering

Compatible

Harmonious

Together

Composed

Holding together/Stand together

Firm

Fixed

Solid

Density

Firmness

Viscosity

Adherence

In Course

In Form

In Pattern

In Agreement

Retaining

Ruskin - The Law of Consistency
. . . . While contrast exhibits the characters of things, it very often neutralizes or paralyses their power. A number of white things may be shown to be clearly white by opposition of a black thing, but if we want the full power of their gathered light, the black thing may be seriously in our way.

Thus, while contrast displays things, it is unity and sympathy which employ them, concentrating the power of several into a mass. And, not in art merely, but in all the affairs of life, the wisdom of a man is continually called upon to reconcile these opposite methods of exhibiting, or using, the materials in his power. By change he gives them pleasantness, and by consistency value; by change he is refreshed, and by perseverance strengthened.

Hence many compositions address themselves to the spectator by aggregate force of colour or line, more than by contrasts of either; many noble pictures are painted almost exclusively in various tones of red, or grey, or gold, so as to be instantly striking by their breadth of flush, or glow, or tender coldness, these qualities being exhibited only by slight and subtle use of contrast. Similarly as to form; some compositions associate massive and rugged forms, others slight and graceful ones, each with few interruptions by lines of contrary character. And, in general, such compositions possess higher sublimity than those which are more mingled in their elements. They tell a special tale, and summon a definite state of feeling, while the grand compositions merely please the eye.

This unity or breadth of character generally attaches most to the works of the greatest men; their separate pictures have all separate aims. We have not, in each, grey colour set against sombre, and sharp forms against soft , and loud passages against low: but we have the bright picture, with its delicate sadness; the sombre picture, with its single ray of relief; the stern picture, with only one tender group of lines; the soft and calm picture, with only one rock angle at its flank; and so on . Hence the variety of their work, as well as its impressiveness.

The principal bearing of this law, however, is on the separate masses or divisions of a picture: the character of the whole composition may be broken or various, if we please, but there must certainly be a tendency to consistent assemblage in its divisions. As an army may act on several points at once, but can only act effectually by having somewhere formed and regular masses, and not wholly by skirmishers; so a picture may be various in its tendencies, but must be somewhere united and coherent in its masses.

Good composers are always associating their colours in great groups; binding their forms together by encompassing lines, and securing, by various dexterities of expedient, what they themselves call "breadth": that is to say, a large gathering of each kind of thing into one place; light being gathered to light, darkness to darkness, and colour to colour. if, however, this be done by introducing false lights or false colours, it is absurd and monstrous; the skill of a painter consists in obtaining breadth by rational arrangement of his objects, not by forced or wanton treatment of them. It is an easy matter to paint one thing all white, and another all black or brown; but not an easy matter to assemble all the circumstances which will naturally produce white in one place, and brown in another. Generally speaking, however, breadth will result in sufficient degree from fidelity of study: Nature is always broad; and if you paint her colours in true relations, you will paint them in majestic masses. If you find your work look broken and scattered, it is, in all probability, not only ill composed, but untrue.

The opposite quality to breadth, that of division or scattering of light and colour, has a certain contrasting charm, and is occasionally introduced with exquisite effect by good composers. Still it is never the mere scattering, but the order discernible through this scattering, which is the real source of pleasure; not the mere multitude, but the constellation of multitude. The broken lights in the work of a good painter wander like flocks upon the hills, not unshepherded, speaking of life and peace: the broken lights of a bad painter fall like hailstones, and are capable only of mischief, leaving it to be wished they were also of dissolution.

[Ruskin, John. On Composition, pgs. 198-200, The Elements of Drawing, Dover Publications, Inc., New York, 1971 [Originally Published in London, 1857]

R  E  F  E  R  E  N  C  E  S 

Consistent adj [L consistent-, consistens, prp. of consistere] [1647] 1 archaic: possessing firmness or coherence 2a: marked by harmony, regularity, or steady continuity: free from variation or contradiction [a __ style in painting] b: Compatible -usu. used with with c: showing steady conformity to character, profession, belief, or custom [a __ patriot] 3: tending to be arbitrarily close to the true value of the parameter estimated as the sampel becomes large [a __ statistical estimator]

[Merriam-Webster's Collegiate Dictionary, 10th Edition. Springfield, MA, USA: Merriam-Webster, Inc. 1995.]

Consistency n. 1. the condition of cohering or holding together and retaining form. 2. degree of density, firmness, viscosity, etc.: The liquid has the consistency of cream. 3. steadfast adherence to the same principles, course, form etc.: There is consistency in his pattern of behavior. 4. agreement among the parts of a complex thing: consistency of colors through the house. Consistent adj. 1. not self-contradictory. 2. constantly adhering to the same principles, course, form, etc. 3. holding firmly together; cohering. 4. archaic. fixed, firm; solid -Syn. 1. congruous, consonant.

Consist [< L consist(ere) (to) stand together, stand firm = con- CON- + sistere, redup. v. akin to stãre TO STAND] v.i. 1. to be made up or composed (usually fol. by of). 2. to inhere, exist, lie, etc. (usually fol. by in).... 3. to be compatible, consistent, or harmonious (usually fol. by with). 4. Archaic. to exist together. -Usage. 1, 2. Consist of, consist in are often confused. With consist of, parts, materials, or ingredients are spoken of: Bread consists of flour, yeast, etc. With consist in, something resembling a definition is given: Cooperation consists in helping one another and in sharing losses or gains.