K

"Kant argues that since the judgment of beauty or of taste must be universally and necessarily valid for all men, its ground must be something identical in all men. But as Kant points out, only knowledge is communicable [section 14] and therefore the only thing in experience which can be supposed to be the same for all men is the form and not the sensations of representations. With this position we first encounter modern formalism. " - [Emanuel Kant]

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Kalabari . . . . . Kandinsky . . . . . Emanuel Kant . . . . . Kassites . . . . . Keats . . . . . R. Talbot Kelly . . . . . Stephen Kern . . . . . Khlebnikov . . . . . Ki . . . . . Ernst Ludwig Kirchner 1880-1938 . . . . . Kitaj's Diasporist Manifesto . . . . . Paul Klee [1879-1940] . . . . . Klein 1928-1962 . . . . . Klimt 1862-1918 . . . . . Kokoschka 1886-1980 . . . . . Jirí Kolár . . . . . Koons, Jeff . . . . . Kore [Persephone] . . . . . Kritios . . . . . Kronos [Cronus] . . . . . Kupka 1871-1957 . . . . . Akira Kurosawa

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